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About TarotICONOLOGY OF THE FORTITUDE CARDSThe ninth Tarot trump according the type B ordering is the virtue Fortitude
and the five surviving cards The image of a woman wrestling with a lion is a common representation of Fortitude. Figure 2 shows a typical example from 1355 in Milan. Hind (1935, p. 151) shows a 1464 woodcut of a woman forcing open the jaws of a serpent. The image is similar but is not explicitly identified as a virtue. Another example by Bellini (1470) can be seen at: www.getty.edu/art/collections/images/m/00033801.jpg The second image in the early cards is woman holding/breaking a column which is also a traditional symbol for Fortitude. An example from ~1435 can be seen at: gallery.euroweb.hu/html/u/uccello/2prato/ The figure breaking a column is also the representation used in the so-called Tarocchi de Mantegna: users.erols.com/bcccsbs/esoterica/forteza.gif Hourihane (2000, pages 205ff) provides a list of the location of 73 images of Fortitude. The man wrestling the lion is related to the traditional image of Hercules (Figure 3, ~1473). Hercules had been adopted during the middle ages as a symbol for Fortitude, so this is not a representation unique to Renaissance Humanism (Godwin 2002). Hercules with club and lion skin can be seen as a symbol of Fortitude in a 1260 image from Pisa: www.kfki.hu/~arthp/html/p/pisano/nicola/1pisa_fo.html Another example of Hercules can be seen in Seznec (1953, fig. 5). THE RELIGIOUS TRADITION:All of the representations of the woman with column or lion belong, of course, to the Religious artistic tradition. The image of Hercules might be thought to be an exception and yet has a long history in Christian art where the Greek hero is replaced by a biblical character. The visual images of Daniel in the lion’s den go back to the Roman catacombs (Grabar 1968).
www2.mmlc.nwu.edu/c303/levavy/wood2.html Similar images of David opening the lion’s mouth and saving the lamb are less
common but also can be found, e.g., Figure 6. Bouche (2000) shows a similar
image of David from a psalter of 1131-1143. THE TRIUMPHAL TRADITION:Hercules is briefly mentioned in Petrarch’s Triumph of Love: "…with him is
Hercules, for all his strength love still captured him…" Hercules occasionally
appears in images of the I am not aware of any images resembling the Fortitude card that appear in either the Dance of Death or the Apocryphal artistic traditions. ICONOLOGICAL ANALYSISThe symbolism associated with the virtue Fortitude was always variable. The most common representations were a woman/Hercules/Samson/David with a lion and a Woman holding or breaking a column. A third representation, which does not appear in the early Tarot cards shows a woman in armor. An example from 1470 can be seen at: www.artchive.com/artchive/B/botticelli/fortitude.jpg.html The woman in armor tends to be earlier in time. Katzenellenbogen (1939, figs. 32 and 33) shows examples from a 9th century bible and from ~1130. There are also a number of examples in which the various symbols are mixed in
a single image. Figure 7 shows a 13th century image of Fortitude in
which the woman in armor is carrying a club and has a lion on her shield. The
Viscounti psalter of ~1412 (LF129v) has Fortitude as a woman with a lion skin as
headress and cape and carrying a shield and staff. INTERPRETATIONThe 15th century card-player would have recognized the various symbols of Fortitude and would have known this virtue as related to the courage and stamina needed to ‘stay the course’ and resist the temptations of life. This would probably have been the first thing that came to mind upon seeing this card. Perhaps the player would have noted that Fortitude (#9) followed the martial image of the Chariot (#8). Fortitude was the inner strength needed to gain spiritual victory. Perhaps the card-player would have noted a transition from the external human life represented in earlier cards. The idea of a transition might have been reinforced by the Wheel (#10) symbolizing the temporary nature of human victory and leading to a need for a deeper spirituality, represented by the Hermit (#11). |
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